OnCopyright 2010

In March at the Union League Club in New York, I was honoured to give a 15 minute talk as part of the OnCopyright 2010 conference held by Bill Burger. My jetlag was at its worst and I was shaking about like an old laundry machine, but even so, I’m happy with how it went, and I managed to see a great deal of New York before crunch time.

The Union League building sits majestically on the corner of Park Avenue and East 37th street. The interior was even more impressive - I’d estimate at least 80% of it was either wood or marble. I suddenly felt very important, and the next day, I certainly looked it. I had to rock up in business attire. I must have been the flyest looking DJ in the city. It was ammusing for a little while, but after that, it just reminded me that I don’t belong in the business world. I felt very much not myself. It was as if someone had held a mirror in front of me and said “Nick, you’re not happy with your desk job. Get the hell out of it.” On the up side, I’m sure my appearance only aided my speech and what I had to say about today’s music industry.

The conference went exceptionally well. Throughout my talk, I played excerpts from some of my most successful tracks. In proving my point that music is a vessel for evolving ideas and emotions, I also played some of HomeStarRunnerTron‘s ‘Upular Tribute’ and the ‘Alohomora Drum Cover’ from SevenBlueSkies. Both videos were very well received, and helped demonstrate that remix culture is all about interpretation, not theft. It seemed my work was a hot topic throughout the proceeding panel discussions, and there was no questioning that what I’ve created here is helping to shine a new light on the collision between music and copyright.

I’m very proud to have spoken for today’s remix culture. I’m happy to report that the general consensus across the panels was that this is more an ethical issue than a legal one. While no definitive conclusions or solutions were reached, the conference did provide an essential voice for some very interesting and diverse opinions from lawyers, entrepreneurs and artists alike. Many thanks to Bill Burger for putting together such a successful, educational and entertaining event. Indeed, the collision of ideas is a topic that must be discussed.

OnCopyright 2010 @ Flickr
www.flickr.com/photos/oncopyright2008/



  1. Amanda says:

    If you haven’t heard of it before, I’d like to suggest you looking at hitrecord.org. It’s a collaborative visual film/music project created by Joseph Gordon-Levitt. It tackles a lot of these ideas of creative license and ownership. It’s not directly related to remixing, but I think you might get something out of it nonetheless.

  2. Mason says:

    Dear Mr. Bertke,
    I will one day collaborate with you. You truly are a very gifted producer as am i.
    You’re achieving my near future.
    Our passions for film and music alike are quite the same.
    The way we see and interpret the world as well as moral values are almost identical.
    It’s as if i have a twin on the other side of the world. It encourages me.
    You are the inspiration i wish to be to others.
    We will meet.
    signed,
    - Enfinite
    P.S.
    the only obstacle i face now is my indefinite foul luck with computers.
    btw, you like the CEO of some large industry. Very sharp, Mr. Bertke. Looking good.

  3. [...] take-downs on YouTube as a result, and has written and spoken about copyright and fair use; to quote him, “remix culture is all about interpretation, not theft”. This guy’s body of [...]

  4. [...] out Pogo also has a lot to say on the subject of copyright and remixing.  I’m delighted that Disney/Pixar has responded to him as well as it has.  Big companies [...]

  5. Nils D says:

    I’m glad that you had a chance to voice your perspective. I’m inclined to agree with Marc that your work embodies fair use, but not everyone sees it that way which is why it’s great that you had a chance to speak in front of open minds.

  6. On his twitter page, [linked] he basically said he was told to expect video coverage of the presentation online soon, and he’d keep us posted. ^_^

  7. Marc says:

    Pogo,

    Your music is the clearest example of originality in derivative works and fair use that I can think of. I’m sure as unnatural as it must’ve felt to be lecturing in a suit and shirt to a bunch of lawyers, your work expresses powerful arguments far more eloquently than any legal brief can achieve.

    Please continue to be a pioneer in this space, even if it means occasionally sacrificing a bit of your ethos to lecture publicly in fancy clothes. :-)

    -marc

  8. Wendy says:

    Ah! Also, I meant to say: Please link your Facebook fan page with this site as well. I don’t know how MySpace is doing in the rest of the world, but here in the U.S. Facebook has outgrown it by leaps and bounds. Just want to make sure you get all the publicity and love you can!

  9. Wendy says:

    Just wanted to let you know what a difference you make in the days of your fans. Your music makes me smile every single time I listen. I share the YouTube videos with friends on my blogs, and get many smiling comments in return. You’re amazingly talented, it kind of blows my mind, and you’re doing a good thing for many people. Much love to you.

  10. mrSimon says:

    I do hope there was a quote somewhere along the lines of “Following the release of Bangarang, sales of Hook on DVD grew on Amazon by 9000%”. Heh

  11. Jogsta says:

    Proud to be a Pogo fan :)

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